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In Conversation with Vanessa Sanchez
Who’s getting funded and who has access to getting funded? And really looking at a lot of my mentors in the Bay Area and beyond who…have changed and shaped communities and done this work for decades and decades and decades, but because of resources and because of language barriers, they aren’t necessarily able to apply and receive the funding they should be. With that, I just felt it really important in that I don’t want to be one of the only ones from the Bay Area – in our kind of world of dancers of color who are coming from dance forms from traditionally Black and brown communities – I don’t want to be one of the only ones getting this. There are so many more people who need and deserve this – this funding.
ODC, Fabulous at 40
To celebrate ODC’s 40 years of dance-making and community building, we’ve asked founder and artistic director, Brenda Way, and co-artistic directors, KT Nelson and Kimi Okada, to share their thoughts […]
95 and counting
score by Ann Murphy in collaboration with Wayne Hazzard, Shinichi Iova-Koga, and various texts 95 Rituals is a collaborative celebration emerging over three months in honor of visionary dance […]
Dancing Lessons: How Engaging Dance Audiences Is Educating the Field
How many grants encourage you to come up with your own plan, experiment mid-stream with what works and what doesn’t, and engage in discussions with other grant recipients while in […]
NAMING NAMES: the Significance of Sources in Modern Dance Technique
Lineage Modern/contemporary dance is experiential and its practitioners have a penchant for fusion, integration, assemblages and communal intent. Modern/contemporary dance is also known for being an open-minded forum in which […]
SUSTAINING THE LINEAGE: Kumu Hula Kawika Alfiche shares the multi-faceted training of a Kumu Hula
THE 1915 Panama-Pacific International Exposition (PPIE) represented many things to many people in its time, but one of the most notable outcomes of the festival was that […]
Regaining an American Foothold in the International Dance Scene
According to a survey conducted for Dance/USA in 1991, national dance touring companies earned approximately 40% of their income from international engagements. The majority of companies stated that international touring […]
Keeping On Keeping On
This speech was delivered on June 3, 2009 at the Opening Plenary of Dance/USA’s annual conference in Houston, Texas, the theme of which was “Sustainable Future: Reality Check.” Originally a […]
In Conversation with Dance Monks’ Rodrigo Esteva and Mirah Moriarty: Examining Natural Environments Through Interdisciplinary Performance
Water is essential. It sustains; it cleanses; it feeds; it restores. It makes all life possible. In recent months, these realities have hit particularly close to home as we have faced and […]
Discounts
*We are noticing schedule and price shifts as our communities start to re-open, please allow grace as we update our listings. Share your online offerings (classes, panels, etc). Choose “Community” when […]
