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Erin Yen/Dragons Dance: Paper Trails
The art of art-making goes through many unique processes: prompts, inspiration, feedback, collaboration, frustration, improvisation. One constant in this process is play – the notions of experimentation, risk, and curiosity. […]
Tales of Change: CounterPulse and Shawl-Anderson Dance Center Look to the Future
In Italy there’s a famous adage that says “everything must change in order for everything to stay the same.” To our 21st century ears this might sound like a zen parable, […]
In Conversation: Maurya Kerr and Alaja Badalich
You are reading excerpts from Maurya Kerr and Alaja Badalich’s recorded conversation. Listen to the conversation. Transcript of the full conversation
On Gender and Performance: Six Statements by Six Artists
Comments by Akram Khan in January about women in the dance world(1) sparked a flurry of responses, both online and in publications. Dancers’ Group has decided to examine this topic more carefully […]
Collective Matters on Dance and Other Body Modifications
Dancing Around Race (DAR) explores the socio-cultural dimensions of race within the interconnected fields of choreography, dance presentation, dance training, funding, curatorial practices, and dance criticism in U.S. contemporary and […]
Welcome
As the writers sent me their drafts, I’m struck by possible “essay pairings.”
In Practice: Ramon Ramos Alayo and John Santos
This year, the San Francisco Ethnic Dance Festival (SFEDF) takes place for the first time at the San Francisco War Memorial Opera House. It is also the first year that […]
Funny Little Monsters and Being Safe Enough to Be Dangerous
Whether performing in Erika’s choreographic work, or collaborating alongside her with For You, I feel challenged and inspired to channel my wildness.
Traveling and Touring: Part II
In last month’s issue of In Dance I wrote an article that considered the history of touring dance since the establishment of the National Endowment for the Arts in 1965—a […]
SPEAK: The Practice of Conjure Art in the Making of EarthBodyHOME
AS A DANCE MAKER over the past ten years, my work has been in an evolutionary state. I have resisted the confines of existing labels though I realize most funders and some […]
