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Care. Liberation. Now.: Changing Shape, Shaping Change
Dancing Care In April 2021, right after we’d both been vaccinated, I began to meet weekly with a dancer friend and collaborator. We met, keeping our masks on, in my […]
Stretching the Limits: Managing Hypermobile Joints
Proper care of a hypermobile body can mean the difference between a fulfilling career and sidelined dreams. We know it when we see it: the hyperextended line of an arabesque, […]
What Does “Healthy” Mean? A Look at Dancers’ Body Types and Shifting Notions of Wellness
It wasn’t so long ago that university dance programs were affiliated with physical education departments, and some schools were slower than others in moving their dance students into the humanities. […]
A Turning Point
A bounty of generous resources from our dance community and the San Francisco Bay Area is how I found my way through a return of breast cancer and the death […]
Danzhaus Dance Center: Available for private lessons and rehearsals
We are open for private lessons and small rehearsals in any of our three dance studios during the covid-19 lock down (we are not open for public classes and gatherings). […]
Mujer Sav/bia*, Guatesi torta Yalabitata** –en Español
Quienes somos está ligado esencialmente al espacio en el que crecimos y todas las memorias que tenemos sobre esos espacios.
Mujer Sav/bia*, Guatesi torta Yalabitata**
Who we are is essentially linked to the space in which we grew up and all the memories we have about those spaces.
Dancing Archivists: A Conversation
Hallie Chametzky and Sarah Nguyen are archivist dance-makers who met at the Mark Morris Dance Group Archives, where Sarah was working and Hallie was visiting, in the fall of 2019.
Dance Discourse Project #2
Investigating the Post Multi-Culturalism Landscape Sherwood Chen and Mary Armentrout spoke with Danny Kalanduyan, Teela Shine Ross, Prumsodun Ok, and Joti Singh. In this second installment of an ongoing series, […]
Questioning Contact Improvisation
Photo by Robbie Sweeny INTRODUCTION For more than 15 years I’ve been working to understand and to explain how the social contexts of contact improvisation (CI) remain predominantly white and […]
