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Care. Liberation. Now.: Changing Shape, Shaping Change
Dancing Care In April 2021, right after we’d both been vaccinated, I began to meet weekly with a dancer friend and collaborator. We met, keeping our masks on, in my […]
Kularts & Alleluia Panis: Setting the Stage for Filipinx Diaspora Narratives
In a conversation about how she classifies her artistic practice, she told me that she does not consider her work to be “Philippine” dance, as that would be disrespectful to regional practitioners who undergo rigorous study, practice, and discipline that she as a choreographer and dancer who has livedmost of her life in the US has not undergone…
Curating Performance in East Bay: Spotlight on Four Artist Groups
As most young artists discover, making the art is only half the work. Bringing the art to people involves a particular method to the madness. Commissions, showcases, residencies and co-productions, […]
The Crisis in Criticism: The Economy, the Internet and the Death of Dance Writing, Jun 2009
If you are reading this, odds are you earn at least part of your living working in the arts, or are a committed member of the dance audience. Let me […]
Funny, You Don’t Look Dancerish
The following article is the third in our series on body image and dance, and originally appeared in the New York Times’ Arts and Leisure section on May 20, 2007.
In Practice: Tonya Marie Amos
In a 1993 interview, Toni Morrison said, “The people who practice racism are bereft. […] It feels crazy. It is crazy. […] If you can only be tall because somebody’s […]
Critical Dialogues: Heather Desaulniers and Katherine Hawthorne
What if, rather than writing a review, a critic sat down with a choreographer to have a two-way conversation about the work? that’s the experiment behind critical dialogues. For this […]
Decolonizing Industries of Care: Nursing These Wounds
In California, one out of every five registered nurses (RN) is of Pilipinx descent.[1] These nurses are also disproportionately represented on the front lines: bedside as well as in intensive care units, emergency rooms, nursing homes and long-term care.
Bear/Skin: A Review
ALTHOUGH KEITH HENNESSY’S Bear/Skin, presented at the Omni Commons January 30th and 31st, is a solo piece, the ideas it negotiates are meant to resonate on a community scale. Bear/Skin sits […]
Notes on Rendering Vessels
This writing is an accumulation of reflections on transformation taken from dark/lessons/rupture, an evening of performance excerpts featuring new works by Jess Curtis and Beyond Gravity artists, Silk Worm and RUPTURE (jose e. abad, Gabriele Christian, Stephanie Hewett, Styles Alexander, and Clarissa Dyas), co-presented by Gravity and CounterPulse.
