The Year in Bay Area Dance, Dec 2008

As a way to close out another year ‘in dance,’ we take a look back at some of the memorable moments of 2008. We asked what you felt were the […]

Performance Preview: What’s On For This Season

LADIES AND GENTLEMEN, start your espresso machines—you’ll need extra zip to keep up with the Bay Area’s spring dance schedule, which includes new pieces from renowned local choreographers, avant-garde work […]

Bay Area Community Colleges: Great Teaching, Great Value

In the nine Bay Area counties, there are at least 17 colleges (the difficulty in counting comes from the fact that some have branches, while others have campuses and other […]

Letters to the Revolution: Guillermo Gómez-Peña

This letter was published as part of Letters to the Revolution – an online platform where leading artists and activists from marginalized communities were asked to write letters of strength […]

The Black Woman is God: Reclaim, Reconfigure, and Re-Remember

The Black Woman is God (TBWIG) celebrates the Black female presence as the highest spiritual form – God, and challenges viewers to do the same. Artists bring history and culture […]

LINES Ballet: Homegrown Company Takes Flight

On October 1, San Francisco Mayor Gavin Newsom presented the 2nd Annual Mayor’s Art Award to Alonzo King, the celebrated Artistic Director and Choreographer of LINES Ballet. “Alonzo King is […]

June 2016

Welcome by Wayne Hazzard A Peruvian Heart on an American Stage: Nestor Ruiz Shares his Passion by Rob Taylor Speak: A Call to Move by Delina Patrice Brooks TLAOLI: Gente del Maíz / […]

Adapting Instead of Excluding: a Conversation with Nadia Adame, AXIS Dance Company Artistic Director

At age 14, I had a car accident which left me with a spinal cord injury. The doctor said, “You can’t do this anymore. You can’t dance anymore. You have to find another career.”

Cyphers in Cyberspace: Reimagining Cultural Arts and Dance Education in a Post-COVID World

As I reflect on this year of virtual dance learning, one thing has become strikingly clear: not only are many of our young students tragically estranged from their cultural and artistic heritage, but this estrangement negatively affects their social, emotional, and intellectual development.

Mujer Sav/bia*, Guatesi torta Yalabitata**

Who we are is essentially linked to the space in which we grew up and all the memories we have about those spaces.