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Bring Your Best Social Self to #DanceUSAconf
This year you will not get a folder filled with schedules, bios, and panel descriptions. Instead, organizers chose the eco-friendly option and made a mobile app that will contain your […]
Creating Space for Hip Hop: A Spotlight on Micaya & SoulForce
I remember first meeting Micaya backstage when I was volunteering for the San Francisco Hip Hop Dance Fest at the Palace of Fine Arts Theater in November 2010. Glamorous in […]
ONSITE: Amara Tabor-Smith
He Moved Swiftly But Gently Down the Not Too Crowded Street: Ed Mock and Other True Tales in a City That Once Was… June 15, 21, 22 & 23, 2013 […]
In Practice: Photographer Pak Han
little seismic dance company, photo by Pak Han My father is a photographer, and growing up, whenever I was minding my own business, doing my homework or vaccinating my stuffed […]
In Practice: Reconstructing Reconstruction with Chris Evans
What does it mean to grieve in the context of perpetual marginalization and terrorization? What are the contours of grief in the afterlife of ancestral, epigenetic, and intergenerational trauma? And […]
Speak: Money Changes Everything: Dance and Demos in Contemporary Capitalism
SARAH ANNE AUSTIN’S by now notorious March article in Dance/ USA’s e-Journal compared dance in higher education to a pyramid scheme. The harsh economic reality faced by contemporary dancers is […]
3 Seconds of Beauty: The New Wave of Bay Area Dance Film
“I was only going to make one film in my whole life,” says Carmen Rozenstraten, “because I had this image—this vision—that came into my head, and I knew it could […]
The Lively Foundation: Adult Ballet on Zoom
Adult Ballet online. Appropriate intermediate levels. Full barre plus combinations for small spaces. Register by emailing livelyfoundation@sbcglobal.net Taught by Leslie Friedman. She has taught ballet companies in Europe, China, US […]
In Conversation with Vanessa Sanchez
Who’s getting funded and who has access to getting funded? And really looking at a lot of my mentors in the Bay Area and beyond who…have changed and shaped communities and done this work for decades and decades and decades, but because of resources and because of language barriers, they aren’t necessarily able to apply and receive the funding they should be. With that, I just felt it really important in that I don’t want to be one of the only ones from the Bay Area – in our kind of world of dancers of color who are coming from dance forms from traditionally Black and brown communities – I don’t want to be one of the only ones getting this. There are so many more people who need and deserve this – this funding.
The Grant You Wish You Could Write
Photo by Marley Trigg Stewart. [ID: Miguel Gutierrez looks softly into the camera while biting a rosary, bathed in orange light. He is a light skinned, Latinx cis-man with short […]
