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Book Review: Defining Radical Bodies
When someone says “radical change,” I wonder which definition they are using for “radical.” The word can refer to an approach that comes from outliers, one that challenges existing views, […]
Five Tips for Getting Your Money Shit Together: Or, Lessons From a Middle-Aged, Middle Class Dance Artist
1 JUST SAY NO As artists, we need to stop asking people to work for free, and we need to stop working for free. And we all need to say “no” […]
95 WORDS FOR ANNA HALPRIN
Editor’s Note: As a way to further contribute to the 95 Rituals project that offers a variety of opportunities to pay tribute to the work of Anna Halprin, In Dance […]
Secondary Scores in Improvisations: Opening up the Space with Improvisation as Performance
The Unspoken Scores in Improvisation as Performance In a dance form that requires a heightened sense of patience, self motivation, confidence, risk taking, and willingness to fail (as well as […]
In Practice: Reconstructing Reconstruction with Chris Evans
What does it mean to grieve in the context of perpetual marginalization and terrorization? What are the contours of grief in the afterlife of ancestral, epigenetic, and intergenerational trauma? And […]
In Practice: Photographer Pak Han
little seismic dance company, photo by Pak Han My father is a photographer, and growing up, whenever I was minding my own business, doing my homework or vaccinating my stuffed […]
The Lively Foundation: Adult Ballet on Zoom
Adult Ballet online. Appropriate intermediate levels. Full barre plus combinations for small spaces. Register by emailing livelyfoundation@sbcglobal.net Taught by Leslie Friedman. She has taught ballet companies in Europe, China, US […]
Rosemary Hannon & Miriam Wolodarski: This is It
“This is a time for dealing with reality as it is, not as you would have it be” (I Ching Online.net 2015). “But one thing is certain. If one is […]
In Conversation with Vanessa Sanchez
Who’s getting funded and who has access to getting funded? And really looking at a lot of my mentors in the Bay Area and beyond who…have changed and shaped communities and done this work for decades and decades and decades, but because of resources and because of language barriers, they aren’t necessarily able to apply and receive the funding they should be. With that, I just felt it really important in that I don’t want to be one of the only ones from the Bay Area – in our kind of world of dancers of color who are coming from dance forms from traditionally Black and brown communities – I don’t want to be one of the only ones getting this. There are so many more people who need and deserve this – this funding.
The Grant You Wish You Could Write
Photo by Marley Trigg Stewart. [ID: Miguel Gutierrez looks softly into the camera while biting a rosary, bathed in orange light. He is a light skinned, Latinx cis-man with short […]
