Search Results for: Как можно заменить слово любить больше в insta---batmanapollo
Becoming Stronger than the Struggle
In recent passing conversations with fellow dancers, teachers, choreographers and performers there seems to be an agreement that the Bay Area contemporary dance scene is currently experiencing a transition of sorts. While there […]
Setting Skywatchers’ “At the Table”: Connection, Empowerment, and Art at the Margins
Melanie DeMore is leading a procession from the Tenderloin to San Francisco City Hall. It’s the last Saturday in October, a little more than a week before Election Day, and […]
Partnerships Across Borders: An Australian Artist Joins Colleagues in the UK
THIS ARTICLE IS THE SECOND IN A THREE-PART SERIES looking at dance education from an international perspective. The first part, published in January of this year, described how my background […]
Kathy Mata Ballet to Perform at the SF Conservatory of Music
By David B. Feldman What does Kathy Mata Ballet, a small San-Francisco-based community dance company, have in common with the great cellist Yo-Yo Ma and world-renown operatic tenor Placido Domingo? […]
Dancers’ Group History: Celebrating 30 Years
To help celebrate Dancers’ Group’s 30th anniversary this year, we have reached out to people to share a special remembrance. Throughout 2012 this publication has been carrying three pieces per […]
The Abundant Season: Fall Performance Preview
The Bay Area welcomes a bounty of shows this fall, from outdoor aerials to free festivals and avant-garde dance-theater – this preview offers just a taste of what’s to come. […]
A SOTA Love Letter: Ruth Asawa San Francisco School of the Arts
Photo by Brittany Ceres We immersed ourselves in our art. The San Francisco School of the Arts (SOTA) dance program director, Elvia Marta was our maestro, our inspiration, our modern/jazz […]
Cracked Open: Reflection on Moving the Body-Brain, Moving the Brain-Body – a danced lecture
Prompted by Dominic’s creative matchmaking, Paul and I had a conversation via Zoom that allowed us to speak about our dance-making as a way of engaging with and transforming difficult legacies that are invariably written on and encoded in our bodies.
Collaborative Optimism: a score for a -ship
I found love in the palm of my hand. My fingers reach into a primordial, interconnected web of memory that manifests tangibly in the landscapes I have traversed. When […]
Crossroads: Part I: dancers
This article is the first in a three-part series on the transformative experiences of Bay Area dancers, choreographers and dance teachers. WHILE A FRESHMAN IN COLLEGE, I found myself at […]
