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For the Love of Dance; Dance Writers on Criticism, Nov 2007
Dancers’ Group asks seven Bay Area dance critics questions about their jobs and role of dance criticism.
Crowdsourcing: Is it healthy?
CROWDSOURCING DANCE EMPOWERS the audience to collectively perform the roles of, at times, curator, programmer, and even funder, potentially stoking tension between arts professionals and the public. Defined by business […]
Dancing Lessons: How Engaging Dance Audiences Is Educating the Field
How many grants encourage you to come up with your own plan, experiment mid-stream with what works and what doesn’t, and engage in discussions with other grant recipients while in […]
In Conversation: David Herrera and Jocelyn Reyes
You are reading excerpts from David Herrera and Jocelyn Reyes’ recorded conversation. Listen to the conversation. Transcript of the full conversation
A Letter to Our Multi-Marginalized Disabled Dancers
My beloved disabled dancers,
I am gazing at the shadows of trees dancing upon
gravel walls as the golden hour sun joins in.
It’s beautiful isn’t it?
New View: Studio 1924 in Oakland
At Studio 1924, Melissa Agocs and Count Glover share the vision to provide an intimate, fun place for dancers where they can truly feel part of a community. Melissa and […]
A Decade of Difference; Voice of Dance Comes Into Its Own, Mar 2007
An overview of the online hub for dance’s development into an international web destination.
Participating Artists
Amara Tabor-Smith is a San Francisco NATIVE. Born on Majestic Ave, raised on Castro St. She is a dancer because of ED MOCK who taught her about music, spirit, love, […]
Bigger, Better, Faster, More: Audience Development Tools for the 21st Century
THERE’S A REVOLUTION BREWING in audience development, that amorphous and all-encompassing term that describes the tools we use to lure and keep patrons in our seats. A slew of new […]
In a New Place: Dance & Disability in 2018
The San Francisco Bay Area is known to be on the vanguard of what is possible in dance, who dances, where, and how. Because of the work of AXIS Dance […]