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Presence and Liveness in Online Learning: A Lesson in Choreographing Students from Afar
For the past year, I have been working on a new choreography that premiered this past April 17-26 as a part of the annual Berkeley Dance Project (BDP) directed by […]
The Crisis in Criticism: The Economy, the Internet and the Death of Dance Writing, Jun 2009
If you are reading this, odds are you earn at least part of your living working in the arts, or are a committed member of the dance audience. Let me […]
Regaining an American Foothold in the International Dance Scene
According to a survey conducted for Dance/USA in 1991, national dance touring companies earned approximately 40% of their income from international engagements. The majority of companies stated that international touring […]
For the Love of Dance; Dance Writers on Criticism, Nov 2007
Dancers’ Group asks seven Bay Area dance critics questions about their jobs and role of dance criticism.
WOMXN SPEAK: WORD!
Photo by Robbie Sweeny WORD. In the vernacular, you say “Word,” to express agreement, validating you’re listening to what someone is saying. You might also hear it when something said […]
We Write Ourselves as We Move
I was born in the early 1980s in the coastal city of Durban, South Africa, to a nurse and a lawyer.
Philanthropy Future/Present
Ten years from now: these things I know. New program officers will think they are smarter and funnier than their predecessors. Foundations will have undergone (at least once) strategic planning […]
Studio 210 Summer Residency Performance
Studio 210 Presents: Summer 2020 Residents Evan Johnson and Bhumi B. Patel The performance showcase invites virtual audiences to focus on the intersection of embodied sensation over stagnant forms, and […]
Hip Hop Her Way; An Interview with Sisterz of the Underground’s Sarah Smalls
Sisterz of the Underground (SOTU) is a community, network, and support system created by, and for, females who choose hip-hop as a form of expression. As an open hip-hop collective, […]
