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Sailing Away: Joanna Haigood Choreographs San Francisco History
Flooded with Gold Rush lucre and teeming with the adventurers who hunted for it, San Francisco in the 1850s was a rootin’-tootin’, quick-shootin’, prostitutin’ Wild West boomtown. Halloween in the […]
New View
With fresh faces popping up constantly, the local Bay Area dance community is a unique blend of seasoned and new perspectives. In Dance caught the new view from the new […]
The People’s Palace
Conceived and Directed by Joanna Haigood San Francisco City Hall May 9, 10, and 12, 2024 View the Digital Program The People’s Palace was a 3-day artistic intervention with […]
The Etcetera Preview: Upcoming Conferences & Festivals
Summer offerings for dance professionals don’t end with training intensives and seasonal performances. From the rigorous and scholarly to the imaginative and whimsical, conferences, symposiums and festivals serve as exciting […]
SPEAK
I’d like to think I have become a mature dancer. After a 12-year professional career, I don’t get nervous anymore. As I perform, I enjoy the clarity of being on […]
Bring Your Best Social Self to #DanceUSAconf
This year you will not get a folder filled with schedules, bios, and panel descriptions. Instead, organizers chose the eco-friendly option and made a mobile app that will contain your […]
Crowdsourcing: Is it healthy?
CROWDSOURCING DANCE EMPOWERS the audience to collectively perform the roles of, at times, curator, programmer, and even funder, potentially stoking tension between arts professionals and the public. Defined by business […]
Cracked Open: Reflection on Moving the Body-Brain, Moving the Brain-Body – a danced lecture
Prompted by Dominic’s creative matchmaking, Paul and I had a conversation via Zoom that allowed us to speak about our dance-making as a way of engaging with and transforming difficult legacies that are invariably written on and encoded in our bodies.
The Crisis in Criticism: The Economy, the Internet and the Death of Dance Writing, Jun 2009
If you are reading this, odds are you earn at least part of your living working in the arts, or are a committed member of the dance audience. Let me […]
