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As I reflect on this year of virtual dance learning, one thing has become strikingly clear: not only are many of our young students tragically estranged from their cultural and artistic heritage, but this estrangement negatively affects their social, emotional, and intellectual development.

As a Black girlhood studies scholar, I pay close attention to picture books that portray Black girls. More specifically, I intersect dance studies and children’s literary studies in order to explore the representation of Black ballerinas in autobiographical and biographical children’s picture books.

With roots in temple ritual and salons passed from generation to generation through the hereditary dance and music community of Tamil Nadu, in post-colonial India, the practice began to attract students and performers from various backgrounds around the world as a performing art.

I love teaching Hip Hop, but I resent the assumption that it’s the only dance form I can teach because I’m Black.

After months of colliding with each other, our very own Niara Hardister took the initiative to assemble the most inclusive, supportive, and talented group of folks I know.

Photo by Keith Sutter My first week as Artistic Director of Sacramento Ballet, I learned we had lost our warehouse space and would need to deeply consolidate our sets and […]