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In a conversation about how she classifies her artistic practice, she told me that she does not consider her work to be “Philippine” dance, as that would be disrespectful to regional practitioners who undergo rigorous study, practice, and discipline that she as a choreographer and dancer who has livedmost of her life in the US has not undergone…

Hallie Chametzky and Sarah Nguyen are archivist dance-makers who met at the Mark Morris Dance Group Archives, where Sarah was working and Hallie was visiting, in the fall of 2019.

THERE’S A REVOLUTION BREWING in audience development, that amorphous and all-encompassing term that describes the tools we use to lure and keep patrons in our seats. A slew of new […]

For four days this June, the Bay Area will become the center of the dance studies universe. The two leading organizations of dance writers, historians and critics, the Society of […]

I always wanted to be a dancer, even before I knew what being a dancer was or might mean. Dreams become facts. The human body is on a 24-hour-a-day schedule […]

“It’s a small world,” continues to ring in my ears with each connection I make in the dance field, as I often find a friend of a friend or colleague […]

Are you aware that there is a Healthy Dancers’ Clinic (HDC) at ODC Dance Commons for the Dance community? The clinic is open to all ages, disciplines of dance and […]

MAKING HISTORIC COSTUMES for the theater can toss a designer way back in time, but for dancer-designer Jamielyn Duggan it was a quantum leap to 166 BCE for The Jewish […]

PART TWO OF A TWO-PART ARTICLE IN THE OCTOBER 2013 ISSUE OF IN DANCE Yannis Adoniou and Tomi Paasonen announced that come January 2014 KUNST-STOFF Dance Company (KSDC) will no […]

THIS IS WHAT I WANT (TIWIW) is an annual live performance festival in San Francisco about desire. The festival has developed into the focus point for a field of activity […]