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Back in college, while in one of my countless rehearsals I remember thinking, “I wonder what areas of the stage we use the most?” Little did I know that this kernel would materialize in a variety of permutations through a project known today as Synchronous Objects (synchronousobjects.osu.edu). Focusing on William Forsythe’s One Flat Thing, reproduced […]

These days, I’m into watching. A happy voyeur sitting in a darkened room where I view bodies working out choreographic ideas that are complex, nuanced, big, bold–even messy. Ideas that are assuredly full-bodied and fully embodied. My artistic guiders give me cues and symbols, visual and verbal, that are imbedded within their structures, which help […]

STARTING A CREATIVE ENDEAVOR takes courage. Then it takes work. Then it takes finding funding for the project. Then, of course, it takes more work. Then the really fun part happens—an audience gets to watch. Courage, work, money, more work, most likely more money spent and then the performances. All this depending on the courage […]

In Conversation, a series of interviews exploring exchanges about dance and different folks’ relationship to dance. As we examine home and place and what community means, these questions presented themselves. “How is the dance community a home?”, “How does one bring their personal history to this larger ecosystem?”, “How do we sustain the community connections […]

During my first few months as the executive director of Dance/USA, I engaged dance leaders from around the country in conversations about the state of the field. What are they experiencing as dance artists and managers? What issues are on the forefront of their daily work? How could Dance/USA help? From dance presenters in Minnesota, […]