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Sisterz of the Underground (SOTU) is a community, network, and support system created by, and for, females who choose hip-hop as a form of expression. As an open hip-hop collective, […]

By Lauren Warnecke I’m totally in love with San Francisco…and other thoughts from a Chicagoan at Dance/USA: With thirty years under its belt, Dance/USA has an influential take on central […]

Advocacy has long been one of those big, broad words whose definition I knew in theory, but I’d never experienced it firsthand to gain true insight into its meaning—and outcomes. In imagining what my first […]

Dancers’ Group asks seven Bay Area dance critics questions about their jobs and role of dance criticism.

In a conversation about how she classifies her artistic practice, she told me that she does not consider her work to be “Philippine” dance, as that would be disrespectful to regional practitioners who undergo rigorous study, practice, and discipline that she as a choreographer and dancer who has livedmost of her life in the US has not undergone…

When the Republicans swept into power in the early 1980s they brought with them a fanatical commitment to business. Everything fit under the imperial umbrella of the marketplace, and everything […]

As he looks back on 20 years of making and producing performance by trans, gender-nonconforming (GNC), two-spirit, and queer artists in the Bay Area and across the country, Sean Dorsey, Artistic Director of Sean Dorsey Dance (SDD) and founder of Fresh Meat Productions (FMP), is positively glowing.

Dancing Around Race (DAR) explores the socio-cultural dimensions of race within the interconnected fields of choreography, dance presentation, dance training, funding, curatorial practices, and dance criticism in U.S. contemporary and […]

How many grants encourage you to come up with your own plan, experiment mid-stream with what works and what doesn’t, and engage in discussions with other grant recipients while in […]